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Behind The Song

Funeral Dirge For A Dead Ex-Girlfriend

Joe Satriani Pays His Last Respects
Download     mp3 demo

When I was 15 I had a vivid dream that my recently ex’d ex-girlfriend died. Being a highly strung youth it upset me. But 5 years later when I wrote a depressing foot dragging instrumental I was over it (and her) and decided Funeral Dirge For A Dead Ex-Girlfriend would be a fun name.

In 1989, smack in the middle of the neoclassical virtuoso shredder boom (Flying In A Blue Dream had just come out), I was stuck in an extremely lightweight rock band, but listening to anyone with big hair and a floyd rose. Drummer Mark Nelson and I spent extra hours in a rehearsal room in Grimsby (where the band was based) jamming through ideas for this and another tune called Disney X.

Later, out of the band and back in my hometown of Sutton In Ashfield, I worked with virtuoso bassist Phill Danks on the tracks that would make up my solo guitar debut album (including the original instrumental version of Shang Ding Hong Song called Verbal Gerbils). And then, just like that, I put my prospective shredding career on indefinite hold.

Funeral Dirge finally got an airing in 2005 when I arranged it for the Advanced Guitar Group I taught on a Saturday morning at Brunts School in Mansfield. For the next two years various budding metalheads (including Sarah Kerry and Joel Peat, I think) wrestled with release bends and chromatic melodies. When I left the kids even performed it in my honour along with a medley of Tequila, Mr T‘s Mother, Treat Her Right and The A Team Theme that they shoehorned my name into. And it was as bizarre as it sounds.

So in 2016, looking backwards to go forward, I recorded the first demo, 11 years after the first public performance and 27 years after I wrote it.

I really do have to pull my finger out.

Musically I can definitely hear the influence of Joe Satriani on the main melody (it’s in the same ballpark as Hill Of The Skull) and solo (3:41 and 3:55), Randy Rhoads-era Ozzy (clean dissonant arpeggios 2:04), Cliff Burton-era Metallica (lead bass at 2:20), Steve Vai (wide intervals in the solo at 4:00) and maybe a bit of Stravinsky’s Rite Of Spring peeking through at 2:40.

The main point of interest is how many keys it goes through from Am and A harmonic minor to Cm and Ebm, Em and finally F#m. There are some interesting harmonies to parallel 2nds in the chromatic melody (2:50) and parallel 4ths shortly after (3:02). In the solo I play a lot of 7th (3:31) an idea I got from Izaak Wierman.

The inspiration for the pre chorus came when I realised in A harmonic minor you could have F major and F minor – but if you only heard the power chord you would assume it was major. I liked playing with that assumption.

The freak out right at the end (5:26) was from the guide track which I’d recorded before I dialled in the ritardando (slow down). It sounded so gnarly I flew a rough mix back into the finished session.

Samples

Rain – rain.mp3 by soundman9826
Bell – S: 111013 – Sirmione – Kirchenlaeuten.WAV by aarom
Snare drum roll – snare – Premier Artist Maple – loose – buzz roll x3.wav by bigjoedrummer
All from freesound.org under a Creative Commons license
Laughter from Flight Of The Bumble Bee (Spike Jones), Sunday’s On The Way (Take 6) and Moonglow (Chet Atkins and Les Paul).

Meaning I got to jam with two legends of the guitar on this track!

Categories
Behind The Song Song Vault

Losing The Light

Soon we fade to black, soon the credits roll
Smooth metal dark night of the soul
Download     mp3 demo

Written during FAWM 2016. Based on a riff I found on a writing tape from 1992 inspired by Jake E. Lee’s playing on Waiting For Darkness by Ozzy Osbourne.

I’m the damsel in distress
Just a girl in a green dress
Waiting for the hero to arrive
You’ve seen this scene a million times
Vulnerability is all I got
On my mark and beautifully shot
Cameras ready to roll
Waiting for my saviour to show

Please hurry cos we’re losing the light
Come quickly now we’re losing the light
We ran the race, we fought the good fight
Please hurry now we’re losing the light

The sun pauses as it sinks
To breathe a kiss on the horizon’s lip
Her beauty burning then gone
Magic hour is only minutes long
Play the scene where the problem’s solved
The plot’s explained and you declare your love
Our faith is running out
Start your speech before the night comes down

Please hurry cos we’re losing the light
Come quickly now we’re losing the light
We ran the race, we fought the good fight
Please hurry now we’re losing the light

Soon we fade to black, soon the credits roll
If there’s a happy ending would you let us know?
Shadows getting longer, twisting all we see
The air is getting cold, it’s getting harder to believe

Please hurry cos we’re losing the light
Come quickly now we’re losing the light
We ran the race, we fought the good fight
Please hurry now we’re losing the light